"I spend a lot of time in the theatre, but I end up doing more than just shows. I can't help it. I say it's because I like to keep busy and don't want to get bored. Friends with a greater belief in astrology than me would no doubt pin it on my being a Gemini..."
Rob has been writing about lighting, sound and
theatre production since 1992, for magazines including
Lighting&Sound International,
Lighting&Sound America, The
Stage, Lighting Dimensions, Theatre
Crafts, Entertainment Design, Live
Design, Total Production and others.
Articles>
The 'greatest hits' from these are now available
collected into two volumes, Entertainment in
Production 1994-1999 and Entertainment in
Production 2000-2006, published by Entertainment
Technology Press.
Website> Kindle Editions>
His popular 'console tips' for the 500-series consoles
are still available from Strand Lighting. Console tips>
He is now also a user of other consoles, including MA's
grandMA, ETC's Eos and Strand's Palette.
He has taught at drama schools including LAMDA,
Guildhall, Central, Rose Bruford and RADA in London and
NIDA in Australia. He has been a guest artiste at the
Hong Kong Academy of Performing Arts, most recently in
April this year. Website>
He has provided lighting console training for English
National Opera, Glyndebourne Opera, the Royal
Shakespeare Company, the National Theatre, the Sydney
Opera House, the Victoria Arts Centre, the Churchill
Theatre Bromley, the Theatre Royal Newcastle plus
various West End and other regional UK venues.
He enjoys taking pictures, figuring that its the flip
side of being a lighting designer - capturing the light
instead of creating it. He'd quite like to be a
production photographer next time around.
Rob has spoken and been on panels at trade shows
including PLASA, LDI, AC North and Showlight 2009. At
LDI, he has spoken about working on Oklahoma!
and Mary Poppins; the Art of Programming panel
he was part of in 2007 with Jim Ohrberg, Brad Schiller,
Nick Phillips and Marcus Krömer was repeated and
expanded in 2008, again to great acclaim.
The LDI panel, now a full day event, was a hit again at
the 2009 show in Orlando. A hit once more, The Art of
Programming will be back in 2010, and Rob will be
involved in various other panels as well. LDI>
At last year's Showlight, he described the 26-universe,
1.5 tonne (fabulous) cyc-lighting folly he designed for
the touring Mary Poppins. Showlight> That Cyc>
He regularly offers thoughts and advice to
manufacturers of lighting consoles, sometimes whether
they want it or not! Some of these thoughts now also
appear in a column in Lighting&Sound
America magazine, in the hope that others will
agree and start nagging their favourite manufacturer!
Articles>
He created the FocusTrack production lighting
documentation system when he found he couldn't remember
enough about the productions he'd worked on years
earlier when they were revived. Website>
FocusTrack has now been joined by SpotTrack, a tool for
creating and managing followspot cuesheets. Website>
He is a member of the ALD and the ABTT in the UK, and IATSE in the US.
Behind the scenes at Mary
Poppins...
"Excuse me, but I can't see the stage
with you there..."