A Sense of Theatre - Available Now by Rob Halliday

A Sense of Theatre, the project which has occupied much of Rob’s attention over the last year and a bit, has started landing with those who supported it’s production over the last week - and is available to everyone from May 1st.

This is the last work by the lighting designer and theatre consultant Richard Pilbrow, who sadly passed away at the end of last year. It is a book charting the history of the National Theatre, both company and building, from its inception in 1963 to the present day.

This is a story Richard was uniquely placed to tell: he was invited by the National’s first artistic director, Laurence Olivier, to light the company’s opening production. From there he became involved in the planning of the National’s new home on London’s South Bank, informally at first, then as a member of the Building Committee assembled to advise the architect on how to build a theatre, then finally as the National’s theatre consultant. In that role he and his company, Theatre Projects, not only created some remarkable technical innovations, particularly the Drum Revolve stage in the Olivier Theatre and the remarkable Lightboard lighting console, but also helped define the very shape of the building itself.

Richard documents this history with extensive access to the minutes of the meeting of the Building Committee, plus his own extensive archives. But this is not his voice alone: he also talks to many who have been part of creating remarkable shows at the National, and documents the history of those productions using a remarkable range of photographs, many of these also never before seen in public.

Rob has been working with Richard to help shape the book since its inception nine years ago. As Richard became frustrated with the lack of interest in the book from ‘big publishers’ (who perceived it as covering too broad a range of subjects to sit comfortably in any one of their ‘lists’) and, as he had done throughout his life, just decided to publish it himself, Rob became partners with Richard and his son Fred in a new publishing enterprise. After Richard’s passing he saw the book through to completion.

Publication of the book was supported through a Kickstarter fundraising campaign, which successfully achieved almost double its funding goal, as well as industry support from the ABTT, Robe, Autograph, ETC, Steeldeck, Ambersphere, Howard Eaton Lighting Limited, 3LR, Martin, Pathway Connectivity Solutions, Push The Button, TAIT, Unusual, White Light and of course Theatre Projects.

The book started arriving with those supporters from late April.

The book is now available to all through all good booksellers, including, of course, Amazon.

A Sense of Theatre website: [link]

Making A Sense of Theatre in Live Design: [link]
Designer Flora Cox on A Sense of Theatre: [link]
A quick flick through the book: [link]
A Sense of Theatre in The Stage: [link]

Purchase A Sense of Theatre direct from its co-publisher, Unicorn: [link]

Purchase A Sense of Theatre from Amazon: [UK] [US] [CA] [DE] [ES] [FR] [IT]

There will be a celebration of Richard’s life and work at the National Theatre on May 17th: [link]

The World of Abdulhussain, Kuwait by Rob Halliday

Rob is currently in Kuwait, in the National Theatre at the wonderfully elegant Sheikh Jaber Al-Ahmed Cultural Centre working on a new show called The World of Abdulhussain.

The show tells the life of local entertainment legend Abdulhussain Abdulredha, though a combination of live performance and presentation of archive footage of the actual performer in his heyday - some of it footage never seen in public before.

Rob is working once again as associate and programer to lighting designer Rick Fisher, with the show directed by Diana Sfeir, designed by Takis, with projection design by FRAY Studio, costume design by Fontini Dimou, and sound design by Sebastian Frost. Production electrician Fraser Hall led the lighting installation, with technical production for the show by Ammonite Studios.

For the show Rick and Rob made use of the theatre’s comprehensive house stock, supplemented with some additional equipment - particularly Ayrton Eurus and GLP X4-Bars sourced locally from PRG in the region. Control was from the venues Eos Ti console, with the show documented for future revivals using Rob’s FocusTrack software as well as VOR.

The World of Abdulhussain will run from 1-11 May 2024.

Further information: [link]

Season’s Greetings - and A Sense of Theatre by Rob Halliday

Season’s Greetings to all….

And a last minute reminder that A Sense of Theatre, Richard Pilbrow’s wonderful new book about the history of the National Theatre, with which Rob has been involved for the last eight years and is now working to bring to the world after Richard’s sad and untimely passing earlier this month, is available for pre-order for just a few more hours on Kickstarter.

If you’d like to buy the book, or even better if you’d like to actually be part of the book with your name inside it, you have until 11.59pm TODAY, 26th December 2023, to sign up.

https://www.kickstarter.com/projects/asot/a-sense-of-theatre

Presenting: Classic Gear Live, September 3-5th, Kensington Olympia, London by Rob Halliday

For the last sixteen years, Rob has been writing about the products that have shaped the entertainment industry - lighting, sound and more - in his monthly Classic Gear column for LSi magazine.

This year, Classic Gear is jumping off the page and into real life with Classic Gear Live, part of the PLASA Show which takes place this weekend (Sun 3-Tues 5 Sept) at Kensington Olympia in London.

The stand will feature some remarkable products, loosely themed around big anniversaries. There will be the pioneering, still remarkable Vari-Lite Artisan console and VL2 and VL4 moving lights from the mid-1980s. The first ever Cadac mixing console made for theatre from 1983. CCT’s Silhouette spotlights, which became the standard spotlights for a generation from 1973 onwards. Strand’s MMS memory console, launched in 1973, and their Patt 263 and Patt 264 spotlights (from 1963) and the lantern that is perhaps the ‘classic of classics’, the Patt 23, from 1953.

Alongside this will be audio equipment from some of the defining artists of the 1960s and 1970s, including th PA system used on Pink Floyd’s 1973 Dark Side of the Moon tour.

And because equipment is nothing without people, there will also be chances to meet and talk to the people who designed, made, sold, used or now preserve these remarkable products, including lighting designer and programmer Andrew Voller re-united with an Artisan console for the first time in twenty years, Dik Welland talking about looking after the Vari-Lite products over the years, Alan Luxford and John Wright talking about Strand’s products and history, Don Hindle talking about CCT Lighting and its Silhouette range, Mike Walker talking about the designing the sound for shows using Cadac mixing desks, plus Jon Primrose from the Theatrecrafts website, Paul Johnson from the Historic Stage Lighting Collective and Chris Hewitt from CH Vintage Audio.

It promises to be quite an event, quite a chance to hear the stories, to reminisce, to discover, or re-discover according to your age, these products whose influence is still felt today.

Classic Gear Live: [link]
Products On Show: [link]

Back and now in London: Crazy For You by Rob Halliday

After it’s smash hit, sold out season in Chichester last summer., the wonderful musical Crazy For You, is now playing at London’s Gillian Lynne Theatre, for a season that runs into 2024.

The show continues the long-standing collaboration with lighting designer Ken Billington, that stretches all the way back to the original London production of Chicago and concluded the remote lighting of the musical Waitress in Japan during lockdown. It also sees Rob working once again with director/choreographer Susan Stroman, with whom he first worked on the National Theatre’s Oklahoma!, in London in 1999 and New York a couple of years later.

Also on the lighting team are associate lighting designer Dale Driscoll, assistant lighting designer Lucy Adams, production electrician Gerry Amies and his team, and the electrics team at the Gillian Lynne, with the rig suppled by PRG.

Crazy For You is previewing now, opening on Monday July 3rd.

Crazy For You [link]

Playing Now: Glory Ride by Rob Halliday

The new musical Glory Ride opened at London’s Charing Cross Theatre on April 28th.

Written by Todd Buchholz and Victoria Buchholz, directed and choreographed by Olivier-award winner Kelly Devine (Come From Away), designed by PJ McEvoy with lighting by Rob and performed by a wonderful cast, the show tells the true story of Italian Tour de France winner Gino Bartali and how he used his celebrity status to help rescue Jewish children from Italy during the second world war.

The show opened to great acclaim for all involved, and runs until July 29th - book your tickets now!

Glory Ride [link]
Photographer: Marc Brenner

Actors And Orchestra Together - EGBDF in Mumbai by Rob Halliday

Rob has just completed a short trip to Mumbai - his first visit to India - to work on the rarely-staged Tom Stoppard play Every Good Boy Deserves Favour. The show is rarely stage because it involves not just actors but a full orchestra performing the music written by André Previn - but here the forces of Mumbai’s National Centre for the Perfoming Arts and the Symphony Orchestra of India combined to bring the show to life.

Rob was once again working as associate lighting designer and lighting programmer with lighting designer Rick Fisher, with whom he has previously collaborated on projects around the world, with the pair both enjoying the re-union with the NCPA’s Head of Theatre and Film Bruce Guthrie, for whom they have both lit shows before. Alongside them were set designer Francis O’Connor, costume designer Pallavi Patel, sound designer Andy Collins, movement director Rachel D’Souza, music supervisor Matthew Scott and conductor Mikel Toms.

Rick and Rob received excellent support from the Mumbai-based assistant on the show, Akshay Khubchandani, who ensured everything required was available, up and working in the theatre as well as providing a wonderful host to this remarkable city.

As well as getting the show itself on, all involved took part in a workshop organised by the NCPA and stage manager Antonia Collins to introduce young people to the work required to get a show on - an event rapturously well received by those who attended it.

Such is the show’s success that it’s originally scheduled run has been extended by a week to give more people the chance to enjoy it.

Every Good Boy Deserves Favour Mumbai: [link]

Every Good Boy Deserves Favour Mumbai Nov 2022
Every Good Boy Deserves Favour - Stage View